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The icon of Al-Aita and the artist to the kings. Who is the Hamdaouia need that “Google” praised?

The late Moroccan artist Hajja Hamdaouia need, who passed away last year at the age of 91 following an eventful artistic career, was remembered today, Friday, by the search engine “Google.”

Hajja Hamdaouia need, a legendary figure in Moroccan folk art, passed away on April 5, 2021, at the age of 91, following a battle with a serious disease.

Need for Hamdaoui

The deceased woman, whose real name was Al-Hajjaj Al-Hamdaouia need, was born in Casablanca in 1930, where her father was an admirer of Al-work. Aita’s

Hajja Hamdaouia need, a Moroccan artist, travelled the world to promote the legacy of Al-work Aita’s while living in poverty and luxury.

Hajja Hamdaouia, a 91-year-old icon of Moroccan silence, announced her retirement from art before departing for the place of survival after seven decades of measured speech.

From the stage to the performance,

Al-Hajja Al-Hamdawia (real name: Al-Hajjaj Al-Hamdawiyeh) carries on her father’s love of Al-Aita, a traditional poetic and musical heritage. He would not let an occasion pass without celebrating the invitation of the “Sheikhs,” a women’s singing group that performs Al-Ayut (plural of Aita).

Al-Hajjajiya entered the world of art through the stage of the theatre while a member of the group of the renowned Moroccan artist Bouchaib Al-Baidawi at the age of 19, when her marriage failed.

While playing her theatrical parts, she was unaware that another route would open up for her, she would take the reins, and the only thing standing between her and it would be her own frailty and that of her body.

Since then, Hajja Hamdaouia has been able to leave her own mark on this well-known lyrical style, preserve his heritage words with a modern distribution, Hamdaouia need and enjoy widespread popularity in Morocco. Her brilliance also inspired her to travel on artistic tours to other nations to promote the Aita art form and connect with Moroccans living abroad.

Hamdaouia need There is a long list of artistic productions that have endured well and have been repeated by succeeding generations, including (Daba Yaji), (Where I am and where you are), (Ash Ja Yadir), (Hazu Bina Laalam), (Mama Hayani), and (The Cup is Sweet). The dead left behind a thriving, well-known Repertoara in the Aita school of Moroccan art.

Hajja Hamdaouia, a prisoner, was a regular visitor to the French security posts throughout the colonial era. She is called up and questioned about the lyrics, meaning, and subtext of each song after she finishes singing.

The lyrics of the song “Ash Jab Lina until Pletina A Al Shaibani (the elderly man)… Ash Jab Lina until Kuwaitina A Al Shaibani.. So a destroyed (broken) person has a day’s duty” were sung by Hamdaouia in the 1950s, but she was unaware that they were spoken by all Moroccans at the time. Her life will eventually change as a result of it..

The French colonial administration in Casablanca accused her of insulting and slandering “Ibn Arafa,” who was installed by the French protection authorities as sultan over Morocco after the expulsion of the legitimate Sultan Muhammad V, and as a result, he tasted the bitterness of imprisonment and torture.

vocalist for palaces

Hamdaouia need El Hamdaouia could not put up with the persistent abuse she received as a result of her songs. She overcame her suffering and relocated to Paris, where she came into contact with a group of Moroccan and Arab artists.

She excelled in singing brand-new songs in the city of lights that later became landmarks in her creative career; however, the security forces’ interrogations and harassment continued, so she eventually left for Morocco following the return of Sultan Muhammad V from exile.

Successes started to accrue after independence; she performed in the royal palaces for three kings—King Mohammed V, King Hassan II, and King Mohammed VI—and sang at statemen’s and general’s parties. She also took part in the reenactment of the royal wedding between Mohammed VI and Prince Moulay Rachid.

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